From the CFParticipation:
The Roy Rosenzweig Center for History and New Media and the Journal of Social History with generous support from The Andrew W. Mellon Foundation seeks historians to participate in a series of workshops that will develop articles based on digital research to be published in a special issue of JSH. Scholars will receive travel funding to participate in three workshops, facilitated by Matt Karush and Sam Lebovic (editors of the JSH) and Stephen Robertson and Lincoln Mullen (at RRCHNM), to help them develop their research from digital projects into journal articles that speak to historiographical conversations in their specific fields.
From the CFP:
Drs. Mila Oiva (University of Turku) and Urszula Pawlicka-Deger (Aalto University) have released a call for papers for a special issue of Digital Humanities Quarterly, which will explore two thematic clusters: 1) Lab: Physical Situatedness; and 2) Slack: Virtual Situatedness.
The purpose of this special issue is to examine the different aspects of situated research practices of the digital humanities covering two perspectives: physical and virtual. The physical places of research refer to the various digital humanities sites (laboratories, centers, departments) all over the world and more widely to the surroundings a location in a particular city, country, cultural sphere or continent affecting research practices. As virtual environments of digital humanities scholarship, we define the digital internet-based platforms, services, and tools that enable research and scholarly collaboration. The aspects that determine digital humanities research in both physical and virtual places are infrastructure (material and non-material), social interaction (communication and collaboration), and context (social, cultural, and political situatedness). The aspects influence each other and changes in one of them can affect the others. They have also impact on what is studied, the ways research can be done, and, in the end the results of our knowledge, what kind of knowledge digital humanities research can provide.
From the ad:
The University of Florida (UF) Department of Anthropology in the College of Liberal Arts and Sciences invites applications from cultural and linguistic anthropologists for a nine-month, tenure-accruing position at the rank of Assistant Professor in the field of Digital Anthropology. The appointment begins August 16, 2019.
We welcome research in areas such as the culturally constituted relations between online and offline worlds of experience; relationships between local practices of digital media and their global implications; the pervasiveness of digital technologies in social practice; activism, civil and human rights, and the cultural politics of digital media; digital technologies and “the human”; use of language and representation strategies in digitally mediated communication; emerging computational languages; or the materiality and spatiality of digital practices. Topical and regional specializations are open.
From the ad:
The University of Delaware Library seeks a motivated, creative, and service-oriented professional to lead a new unit, Digital Scholarship and Research Services, which includes two vacant Digital Scholarship Librarian positions that are also being recruited at this time. The new unit will provide University faculty, researchers, and students with services for innovative digital scholarship, supporting the creation, publication, and preservation of digital research in multiple forms, along with collaborating with colleagues across the library to ensure effective outreach, instruction, and technical infrastructure for these services. This unit is in the division of Publishing, Preservation, Research, and Digital Access, which also includes the departments of Library IT, Digital Collections and Preservation, and the University of Delaware Press.
This is a slightly extended version of a talk I presented at the Digital Library Federation 2018 Forum, held in Las Vegas in October 2018. Thanks to students in my Fall 2017 “Digital Public Humanities” course; the Providence Public Library Special Collections department; Diane O’Donoghue; Julieanne Fontana, Angela Feng, and Jasmine Chu; Monica Muñoz Martinez; Susan Smulyan; and the Rhode Tour project team for their contributions to my thinking and work on this topic. And thanks to Bethany Nowviskie for making DLF Forum a supportive space to consider these and other issues
So, “hyperlocal histories.”
What’s the difference between terms like local, regional, hyperlocal? I’m more here to tell you how I came to be invested in the term “hyperlocal” and less interested in having it overshadow or undercut other terms you’ve found useful in your own work. In the same way that recent pressure has been productively placed on our uses of the term “community,” on where, how, and why ideas of community are constructed, situated, limited by particular acts of language, my intention in introducing the “hyperlocal” as a framework is to see it in conversation with other words, use-cases, methodologies, implications.
My professional interest in the hyperlocal began as a doctoral candidate at Northeastern University, through my work as Project Co-Director (with Alicia Peaker) of Our Marathon: The Boston Bombing Digital Archive, a collection of crowdsourced stories, photos, and memories of the 2013 Boston Marathon bombings and their aftermath. Our mantra, reprinted on bookmarks and promotional content, was “No Story Too Small.” We were interested in created an accessible record of the bombings documenting a wide range of stories and perspectives.A project like Our Marathon is perhaps legible, familiar, conventional in terms of an approach librarians, archivists, faculty members, and community partners might take to work related to local and hyperlocal history. But it is also time and resource-consuming work, an attempt to address several perceived needs simultaneously: collecting, documenting, crowdsourcing, digitizing, curating, publishing, and preserving recent and still-unfolding history. There are other ways to do what we did, and certainly other ways one might get involved in work related to hyperlocal history.
Narratives of community formation and solidification, of competing claims and tensions, of fact and fiction and everything in between and beyond this binary, all of it can and should coexist in our records of hyperlocal history. These varied perspectives are frequently entwined and made further complicated by a city’s unwillingness to be one thing and stay that way forever, or even for a little while.
To work towards the goal of a crowdsourced, polyvocal, varied archive, we left Northeastern University campus, reached out to local libraries who had expressed interest in supporting our project, and planned programming that enabled us to introduce the archive and solicit contributions to a range of communities and neighborhoods. We used the content management system Omeka to encourage crowdsourced submissions and quickly make our collections materials public on the web.
From the announcement:
We’re pleased to announce the next step in our ongoing project to remix the “Imagining History” project that launched at Queen’s University, Belfast in 2003. You can read our previous posts on this topic here:
Today, we are posting here a clean spreadsheet with links to all the functional manuscript descriptions available on the Internet Archive. That’s it. Stay tuned for more!
From the ad:
The Department of African & African-American Studies (AAAS), in collaboration with the Kansas African Studies Center (KASC) at the University of Kansas (KU), seeks a full-time, tenure-track Assistant Professor of African Digital Humanities to build upon the Department and Center’s 1) existing research output in digital humanities and African Studies, 2) commitment toward quality undergraduate and graduate teaching and training in African Studies, and 3) contribution toward community engagements that promote global citizenship. The successful candidate will work alongside the Institute for Digital Research in the Humanities at the University of Kansas to develop innovative and collaborative projects with Institute staff and affiliated faculty. The candidate’s digital humanities activities will include a primary focus on Africa and its diaspora by training students in digital research methods, creating public humanities projects with students, faculty, and community members, and working with other initiatives to enrich African Studies and the humanities at the University of Kansas. The search committee actively encourages applications from members of groups underrepresented in higher education.
Job: Assistant Professor of English (Cultural and Digital Rhetorics, Latinx/Chicanx Rhetorics), Humboldt State
From the ad:
Humboldt State University’s Department of English invites applications for an academic year tenure-track faculty position in Writing Practices, with an emphasis in digital and cultural rhetorics. We are particularly interested in candidates who also specialize in Chicanx and/or ethnic rhetorics. Expertise in one or more of the following is also welcome: postcolonial approaches, global and transnational rhetorics, critical race studies, ethnic studies, translation studies, translingualism and multilingualism, and/or TESL/TEFL.
In today’s post, Keisha N. Blain, Senior Editor of Black Perspectives, interviews Nelson Mundell about the new online database, Runaway Slaves in Britain: Bondage, Freedom and Race in the Eighteenth Century. Mundell is a former History teacher with a MEd in Education and is finishing his history PhD thesis, “The Runaway Enslaved in Eighteenth-century Britain,” at the University of Glasgow in Scotland. The project’s home page can be found here, and the database here. Follow Mundell on Twitter @NelsonHistory.
Keisha N. Blain: Tell us more about the Runaway Slaves in Britain database. How did this project come about? How were you able to build the database?
Nelson Mundell: The Leverhulme Trust funded project has been led by Professor Simon Newman from the University of Glasgow since January 2015, and our database launched on June 1, 2018, after three-and-a-half years of work. Alongside Simon, Dr. Stephen Mullen and Dr. Roslyn Chapman have been key members of the team at different points, and I’ve been very fortunate to have worked on it all the way through as assistant researcher and PhD candidate. I’m delighted at the range of information we’ve uncovered, and this work will permit people interested in this period to explore and interrogate new information, allowing us to learn more about the enslaved and bound people who lived, worked, and sometimes sought freedom in eighteenth-century Britain.
We spent a lot of time in archives and libraries up and down Britain, poring over microfilm and—if we were lucky—original copy, as well as taking advantage of online repositories such as the Burney Collection and the British Newspaper Archive. Once we collected as much as we could, we moved onto entering it into our online database, which we had been tweaking and rearranging as the project, and our thoughts, advanced. We are really indebted to Dr. Roslyn Chapman, who replaced Stephen for the last six months, as she took this task on and delivered wonderfully.
From the ad:
The Department of English at the Rochester Institute of Technology invites applications for a full-time, tenure-track Assistant Professor of English with an emphasis on digital humanities, beginning in August 2019. The candidate must have a PhD in English or a related field in hand by the time of appointment. The candidate must have achieved specialization in any method of digital humanities research, broadly conceived. We are especially interested in candidates who will contribute on a regular basis to multi-disciplinary programs. Applicants should demonstrate technical/computational expertise in their area of specialization.
From the CFParticipation:
Together Umbra Search African American History and the African American History, Culture, and Digital Humanities (AADHum) initiative at the University of Maryland are working on a research agenda related to vital issues of collaboration and sustainability for digital collections and platforms focused on African American history and culture.
We are planning two upcoming engagements around this research agenda. The first is a working meeting for invited participants, which will take place on Thursday, October 18, 2018, on the University of Maryland campus in College Park, MD, as a pre-conference event for AADHum’s Intentionally Digital, Intentionally Black conference. The second, the idea for which we have gratefully borrowed from the Collections as Data team, is open to all.
We invite the broader community to engage with us online. Please consider sharing a brief statement to help us shape our face-to-face meeting. This is a great way to get your concerns, questions, and provocations on the table as well as to share your background. Please add your thoughts here: https://go.umd.edu/umbra-preconf-statements
From the ad:
The position requires expertise in web design & development, strong interpersonal skills, both flexibility and a self-driven work ethic, appreciation for the arts and humanities, and a passion for learning new things. Experience with tools to support digital methodologies (e.g., archiving, data-driven text analysis, new media studies, software studies, interactive mapping) and/or interest to learn will be beneficial for this position. Depending on the candidate’s background and interests, the person in this position may have the opportunity to take on some mentorship and/or training roles with Experimental Humanities faculty, staff, and students. We especially welcome candidates that are interested in linking emerging technologies with social implications relating to gender, race, class, sexual orientation and other categories and/or intersections of identity.
Source: Read the full ad here.
Editors’ Choice: How to See the Forest for the Trolls – Studying Digital Rhetoric on Compromised Platforms
Simple Share Buttons Adder (7.4.18) simplesharebuttons.comContent warning: References to sexual assault and online harassment
As we consider digital rhetoric’s futures, I want to think about ways that we can study digital networks, and communities and interactions on digital networks, better. And by better, I mean, more thoroughly, more descriptively, more rigorously. How can we better examine digital writers and the traces that they leave online? To start that conversation, I need to tell you a story, one I haven’t been able to get out of my head.
This is a story about Andrea Noel, a journalist based in Mexico. I first heard her tell her story on the technology podcast Reply All, a show produced by Gimlet Media and hosted by PJ Vogt and Alex Goldman that tells human stories about technology and tech culture. While I first encountered Noel’s story in podcast form, you can also read her account on the Daily Beast, here.
Noel’s story began with what she calls “The Incident” – on a walk through her neighborhood in Mexico City, a man came up behind her, lifted up her skirt, pulled down her underwear, and then ran away. Immediately after the assault, Noel noticed a surveillance camera on the street that captured the entire incident. She tracked down the footage, which showed a blurry close up of the man’s face as he ran away. Noel decided to share the footage of her own assault on Twitter and asked her followers for help in identifying the man in the video.
Noel’s tweet inspired an outpouring of support, with others sharing their own stories of assault and harassment, using the hashtag #MiPrimerAcoso (MyFirstAssault). Noel’s story was also one of several stories around that time that led to one of the largest demonstrations in Mexico against sexual violence. But it also brought Noel harassment and death threats, which got worse when Twitter users accused Andoni Echave, an Internet personality with a television show called Master Trolls, where he played pranks on unsuspecting pedestrians and bystanders. Echave’s show was cancelled, and the online conversation around the assault footage was described by Vogt “like the Kennedy assassination film,” as each side argued over whether it was Echave in the video. Noel was also harassed on Twitter by a coordinated troll gang; no matter how many times she reported the account of the ringleader, who went by the name “Pasta Prophet,” and his followers, they were soon back on the site with new accounts and 10,000 immediate followers. He would retweet her messages for his followers to attack, and even tweeted out her real-time location. After being targeted in her own home, Noel moved and then finally left the country.
About the opportunity:
The annual Awards formally recognise outstanding and innovative work that has been carried out using the British Library’s digital collections and data. This year, the awards will commend work in four key categories… A prize of £500 for the winner and £100 for the runner up in each category will be awarded at the BL Labs Symposium on Monday 12th November 2018 at the British Library in London. The submission deadline is midnight BST on Thursday 11th October 2018.
From the ad:
George Mason University Libraries is seeking a dynamic, innovative, and service-oriented individual to collaborate with colleagues on digital scholarship efforts, methods, and tools for the University Libraries’ Digital Scholarship Center (DiSC)… The George Mason University Libraries’ Digital Scholarship Center (DiSC) supports the interdisciplinary teaching and learning needs in digital scholarship for students, staff and faculty, by providing digital research support in the areas of: creating, finding, and using data; data management, curation, and archiving; geographical information systems (GIS); digital scholarship methods and applications (humanities, social sciences, and sciences); digital projects planning and management; and related scholarly communication issues.
From the ad:
We’re looking to hire a full-time, contract developer to join our team. Your job will be, most simply, to make Tropy as good as it can be, working on any part of the project to help advance that goal. This position is for someone with a wide range of skills: you should be comfortable obsessing over the frame rate of a user interface animation or designing a sync architecture from scratch. Your work might include improving the Tropy desktop software or building back-end services to power new features. As part of a small team, you’ll have responsibility over core components of the project and the freedom to experiment and find creative solutions to tough problems. Most importantly, you’ll participate in a vibrant global open-source community with amazing community developers and passionate users.
Hello again, everybody! I’m back this semester as a DH Prototyping Fellow, and together, Alyssa Collins and I are working on a project titled “Twitterature: Methods and Metadata.” Specifically, we’re hoping to develop a simple way of using Twitter data for literary research. The project is still in its early stages, but we’ve been collecting a lot of data and are now beginning to visualize it (I’m particularly interested in the geolocation of tweets, so I’m trying out a few mapping options). In this post, I want to layout our methods for collecting Twitter data.
Okay, Alyssa and I have been using a python based Twitter scraping script, which we modified to search Twitter without any time limitations (the official Twitter search function is limited to tweets of the past two weeks). So, to run the Twitter scraping script, I entered the following in my command line: python3 TwitterScraper.py. This command then prompted for the search term and the dates within which I wanted to run my search. For this post, I ran the search term #twitterature (and no, the python scraper has no problem handling hashtags as part of the search query!). After entering the necessary information, the command would create both a txt and a csv file with the results of my search.
Given Twitter’s strict regulations on data usage, the csv files created from my Twitter mining list only a limited amount of information about the tweet, while the txt files just contain the Tweet IDs (a distinct, identifying number that is assigned to each Tweet) that matched my search query.
Editors’ Choice: Taking a Sapphic Stanza – Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women
This semester, I am teaching our department’s Archaic to Classical Greek Survey. I specialize in late antique Roman history and GIS, and thus this has been a departure from my normal research interests–and just one reason we are searching for a Homerist with DH skills right now. However, reading and teaching Greek does not mean that digital humanities cannot still be intertwined into everyday pedagogy. Teaching languages can still benefit greatly from digital contact with original papyri, ostraca, and manuscripts from antiquity and the middle ages. Case and point? The poet Sappho.
When I was hired at the University of Iowa, my teaching demonstration for Classics was to teach a portion of Homer’s Iliad to undergraduate Greek students. I took a non-traditional route to this assignment by using a fantastic digital project called the Homer Multitext Project (edited by Casey Dué and Mary Ebbott) in order to challenge students not only to translate Homer, but to become familiar with the material culture that transmits a large amount of his work: manuscripts and papyri.
Homeric papyri fragments in particular range in date from the third century BCE to the seventh century CE. That new Homer inscription found at Olympia? That is from around the 3rd century CE. I had students translate the transcribed Greek in their textbooks aloud first, and then we took the same passages and read them on papyrus, on stone, and then from manuscripts. Students were generally enchanted by seeing the handwriting of ancient and medieval students and scribes and challenged to develop some paleographic skills. Further proof that it is never too early to start epigraphic training.
From the ad:
The Digital Scholarship Specialist joins the new Digital Scholarship, Critical Making, and Digital Collections Management team in Bryn Mawr College’s dynamic Library and Information Technology Services (LITS) organization. The Digital Scholarship Specialist will be responsible for evolving a vision for the Digital Scholarship Program, formalized in 2016, that engages faculty, students, and staff colleagues in rich and ambitious digital scholarship ventures. In addition to program-building efforts and technical support of existing and future digital scholarship platforms, the Digital Scholarship Specialist is responsible for overseeing a number of undergraduate and graduate student programs and opportunities including the Digital Scholarship Summer Fellows Program and the Digital Scholarship Graduate Student Community of Learning. The Digital Scholarship Specialist will collaborate with colleagues in Educational Technology Services, Special Collections, and Research and Instructional Services to build infrastructure to support digital scholarship across campus, including support for digital scholarship projects emerging from the Digital Bryn Mawr seed grant program.
From the ad:
The University of Virginia Library’s Scholars’ Lab is seeking a new Developer Outreach & Testing Coordinator. The Developer Outreach & Testing Coordinator reports to the Head of Research and Development of the Scholars’ Lab and applies their working knowledge of design and development to create technical documentation for both developers and non-technical users. The incumbent works closely with users and the community for technical support, and leads technical workshops. The Developer Outreach & Testing Coordinator participates in code and design reviews and provides invaluable feedback for designing and coding proofs of concept.